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Street Photography-Working the Scene and Selecting the Best Image

In the days of film, we could look at a photographer's contact sheet and see how he or she worked a scene. I've always thought doing a digital version of this would make for a great YouTube idea. Here's my attempt. As I confess in the video, I didn't come away with any award winning photos, but I do believe I came away with a great idea for the future. I'd love to see how more photographers work a scene!

The Ricoh GRIII-King of the Street

A couple of weeks ago, I rented a Leica Q2 from borrowlenses.com for my birthday week. It marked the first time I had ever laid hands on a Leica, let alone shoot with one. While I found the camera to be a thing of beauty, and the lens truly sublime, I simply cannot  justify spending over 5K on a digital tool that will someday become obsolete.

Enter the Ricoh GRIII-at around 85 percent less than the Leica Q2.

Years ago, I purchased the original Ricoh GR and used it pretty obsessively-especially for sojourns onto the streets. Sadly, it contracted a giant dust spot on the sensor (something the Ricoh’s are notorious for), and it found itself in a drawer, where it gathered dust on the outside.

After some extensive research (o.k. maybe it was a bit of an impulse buy), I decided to risk the the the dust attracting sensor, and I pulled the trigger on the Richo GRIII.

Below is a sampling of my first couple of days with the camera. To cut to the chase, I love this little camera. It has its flaws (battery life is atrocious), but this tiny workhorse is an absolute beast when it comes to candid street photography.

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Town and Country Living

A week ago today I returned from Mt. Sterling, Kentucky where I participated in the Mountain Workshops photojournalism session.

The Mountain Workshops follow a similar format to the Missouri Photo Workshop that I attended last year. Both are focused on documenting the lives of people living in small town.

Instead of pounding the pavement to procure a story, as was the case in Missouri, each participant in Kentucky literally drew a story from a hat.

The week consisted of long days shooting my story, meeting with my team and coach and attending nightly presentations. We were also assigned a writing coach to collaborate with in writing stories and captions. My coach was Erika Schultz who is a full time photographer and videographer at the Seattle Times. Erika has a refined and keen eye and gave valuable feedback on my images, as well as suggestions on how to craft the most effective visual story.

Each photographer was given shot limit of 850 frames for the week. I really forced myself to be as economical and selective with my shooting and was pleased when I finished the week having shot just 219 images. I believe this disciplined approach really does hone my eye and helps with seeing then entire scene while anticipating key moments. Out of these 219 photographs, I collaborated with my coach to select 10 that captured the essence of my story. The photos were to submitted in color, but given the timeless feel and look of my story, most of my images seemed to work better in black and white. I’ll post a monochrome edit here this week along with a series of micro stories from the week.

My story was to cover Town and Country Minute Mart in the nearby town of Camargo. I drew my story at 12:30 P.M. on Monday and I was in the mart by 1:30. My initial impression of the mart was met with discouragement. The place looked and felt like an average, run-of-the-mill convenience store. After meeting and getting the green light from Penny, the mart’s office manager, I strolled the aisles and quickly discovered Town and Country Minute Mart is no typical convenience shop.

Here’s what I wrote for my lead in to my story.

Frog legs every Friday, sheets of plywood and 2x4’s, freshly stocked bottles of Ale 8 soda on ice, a tankful of gas, farm implements, green night-crawlers, ball peen hammers, and self serve coffee for 85 cents, you can find it all at the Town and Country Minute Mart LLC in Camargo, Kentucky.
Spend some time in the mart’s deli and you’ll be hard pressed to find a cell phone anywhere. Instead you’ll see people connecting with one another the old fashioned way; face to face.

Click below to see my story posted on the Mountain Workshops site.

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Shearer Determination

In November of 2017, Mike Shearer was admitted to the ICU at Methodist Hospital in Omaha with pneumonia and complications from diabetes.

The following evening, Mike suffered a significant stroke and was rushed to Nebraska Medicine where he underwent a risky and life-saving craniectomy.. This procedure involved removing a large section of Mike's skull as well as a significant amount of brain tissue. 

In addition to the complications from the stroke, Mike's heart became infected and required damaged heart valves to be removed and replaced with prosthetic ones. 

One day after open heart surgery, Mike's body became extremely septic and he nearly lost his life.

Amazingly, Mike weathered all storms.

After receiving acute rehab at Madonna hospital in Lincoln Nebraska, Mike was admitted to QLI for rehabilitation in February of 2018.

QLI capitalized on Mike's passions, values and motivators to create a highly personalized program  for Mike and his family.

On May 17th, 2018, Mike finally returned home to be with his wife and three children. 

I had the incredible honor of documenting Mike Shearer and his inspirational family for a story for QLI. With Mike's determination combined with the spirit and energy of his wife, Denise, and their children, The Shearers are charting a course for a re-defined life; one with purpose, grace, hope and faith. 

I combined my photographs with ambient sound and interviews to create the video imbedded below. 

The Rider Premiere in Omaha

Saturday night I had the pleasure of photographing a special screening of the remarkable independent film The Rider. 


This event featured QLI rehabilitation program graduate and co-star of the film, Lane Scott alongside his best friend, and leading actor, Brady Jandreau.

The Rider is an achingly genuine and beautiful depiction of life after brain injury. It's truly an inspiring and unforgettable piece of filmmaking.